Still studying the complexities of trees, shrubs and grasses on the hill behind our house. It is an interesting challenge to try and imply what's going on. I have been looking at some of Richard Schmid's work, and I think it has infected me a bit. He often paints very complex trees in front of equally complex architecture, and does it beautifully. He sets the bar pretty high for his edge control, as well as a mixture of very tight, and very loose handling of paint in the same image. At this point, I'm just trying to paint a tree in front of itself. Research continues.
